And I, too, am not wild about "perfect" recordings. Speaking of Liszt and Zimerman, I think his recording of the b minor sonata is just awesome. How's that for inflammatory? :=) Just my two cents. The reason for this is that there are an infinite number of ways to play Liszt badly, but there are comparatively very few ways to play Liszt well. It isn't just a vehicle for virtuosity.Īlso, Cziffra is certainly a creative player, but that doesn't mean his style is "inimitable." And to be honest, the laws of physics will tell you that it is more difficult to imitate "legit" playing than it is to imitate "affected" playing. Soon musical instrument manufacturing and publishing were added. Petersburg, Russia as a music store by a German, Julius Heinrich Zimmermann (1851-1923). But it just isn't serious, and I think one can get a lot more out of the piece if it is treated with more care. a rendition of Chopin Scherzo 1 that surpasses both Zimmerman and Yundi Li. &0183 &32 Decorative cover (1888) This has remained a family firm through four generations, and through some of the most turbulent years in central European history. It is a barn-burner under his fingers of course, and it is very exciting. 2 IX - an arrangement for the piano of the refrain from Jeszcze Polska nie. He inflects it with so much of his OWN character that the depth of the piece is totally lost. 4, Martha Argerich, 1975 (1:54) JLK Martha Argerich play Chopin 'Polonaise No 6 lheroique' (6:41) Hear the Martha Argerich Recordings That Inspired 8 Young Pianists By Joshua Barone, Oct. Bars 49-64: Theme 2, all in D flat major, with. Begins in B flat minor as before (Bars 25-36), but then modulates to F minor (dominant) instead of D flat major in Bars 37-48. I am currently learning this work and have been for a long time unfortunately as I do not have enough time to spend on it as I would like: the one thing that stands out that is a big requirement in this work as part of overall. 28 - Martha Argerich (38:25) Chopin: Prelude Op. The striking chord in Bar 6 is an inversion of ii half-diminished seventh (a similar chord was also used at the start of the first Scherzo). 20 As discussed by Zofia Chechliiska, Scherzo as a Genre: Selected Problems, Chopin Studies. Answer (1 of 3): I agree that this Scherzo is not easy (no Chopin is). For me, Cziffra just trashes the Totentanz. 2, Martha Argerich 1966 (9:48) Frederic Chopin: 24 Preludes, Op. Wow!! I have to disagree with you strongly on that comment.
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